8/12/14

OMG a Kardashian Ap?

The Sneaky Trick Behind the Explosive Growth of the Kardashian Game

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Recently, I started looking into the explosively popular new game Kim Kardashian: Hollywood. The game has ranked at or near the top of Apple's U.S. App Store charts for the most downloaded free game. Industry watchers say the app could gross $200 million annually and net Kardashian a sizable chunk of the game's profits.
My line of work is researching what makes some products so compelling and in the case of the Kardashian game, I wanted to know what was behind the app's phenomenal growth.
I soon discovered that one potential driver of all of its installs is a rather sneaky tactic that exploits user error and can unwittingly post messages to players' Twitter accounts.
It's called the "viral oops."
Unlike viral loops, which are actions users take in the normal course of using a product to invite new members, viral oops rely on the user 'effing-up.
A classic example of a viral loop can be found in a product like Paypal. If one user wants to send cash to another, the receiver generally opens a Paypal account to redeem the funds. Conceivably, when the new user wants to send money themselves, they'll usher-in more new members and the loop continues.
However, in the case of a viral oops, the user doesn't realize what they've just done.
A viral oops isn't necessarily a deception by the company -- in the way sending messages without the user's permission might be -- rather, it is more of a digital sleight of hand. Like a magic trick, when retracing the steps to figure out what just happened, it's obvious how the viral oops occurred and the user most often blames themselves rather than the company for allowing the misstep.
In the case of Kim Kardashian: Hollywood, the game begins innocently enough. The app is a classic role-playing game where players take the part of an up and coming Hollywood celebrity determined to climb the ranks up to "A-List" status. To get there, players must pass through lower levels of stardom on the E, D, C, and B-Lists. Moving through these levels requires completing tasks like posing for magazines, going on dates, and as best as I can tell, shoplifting for Kim Kardashian.
My avatar shoplifting for Kim Kardashian's avatar
Finishing a task requires repetitive thumb tapping that uses-up energy points. Energy is replenished by waiting for a period of time or by paying real dollars to get back into the game. This is how the millions are made, but that's not the sneaky part.
Here's how the viral oops works: The game features a "feed update," which pops-up occasionally to provide news and gossip like a Twitter account. Fictitious characters in the game like Paris Hilton lookalike @WillowPape update their feeds with hashtag-filled 140-character bursts -- just like on Twitter. A constant count of "fans" hovers on screen, further giving the impression that the game has it's own version of Twitter.
When the game asked me to follow a news reporter named Ray Powers by his handle @StarNews_Ray, doing so felt like part of game play. Naturally, I assumed that the Twitter in the game isn't the real-world Twitter. How could it be?
In the screen shot below my avatar reads tweets between @WillowPape and @StarNews_Ray, both fictitious characters in the game, right? Not exactly.
Can you tell the difference?
Unbeknownst to me, when I followed @StarNews_Ray in the game, my real world Twitter account also began following @StarNews_Ray and apparently I'm not the only one. The real-world Twitter account of fake @StarNews_Ray has racked-up over 400,000 followers.
Now the trap was set for the viral oops. During my first session of play, the app offered points for sharing news on (what I assumed was) in-game Twitter. However, what I thought was fake Twitter turned out to be real Twitter and the tweet was sent to thousands of my followers' streams.
The game automatically posted, "I'm now an E-list celebrity in Kim Kardashian: Hollywood. Come join me and become famous too by playing on iPhone!" and included a link to download the app.
A search on Twitter revealed multiple similar tweets posted every minute. It is unclear how many of these tweets were sent by people unaware of what was happening but in the month of July over 396,000 similar auto-populated tweets were sent. One of those tweets which was certainly not intentional was from the Environmental Protection Agency's Office of Water, which quickly deleting the post after realizing the error.
The EPA's "oops"
It appears all these mistakes were no accident. However, according to Glu Mobile's CEO, Niccolo de Masi, cases of people mistakenly tweeting from the game are rare. "There is always .0001% of people who get confused," de Masi told me. "When you have this many people installing the game," de Masi said during our call, "you're going to have a lot of people playing that haven't played games before. It's a symptom of tremendous success and popular appeal."
Perhaps as de Masi argues, the people making this mistake are tech novices. However, even Sarah Buhr, a reporter for TechCrunch and conceivably one of the most tech-literate people around made the very same error, admitting, "What the game neglected to tell me is that it would tweet out to all my followers in real life that I, a grown woman, was playing Kim Kardashian Hollywood."
De Masi was quick to point out that, "this is the best reviewed game in the app store" and that the company has not heard significant complaints from players. He credited Kardashian's celebrity and massive social media following for the game's popularity.
Glu Mobile insists there is no intent to deceive but De Masi would not comment on what percentage of installs came from Twitter. De Masi believes the game is growing through word of mouth -- people just want to tell others about it.
Regardless of whether the tactic is something the company is doing consciously or not, it appears to be benefiting from all the tweeting. De Masi said, "Glu as a company doesn't spend as much money as competitors [on user acquisition] ... We spend 15% whereas our competitors spend 40%." As is often the case with the viral oops, I wasn't sure if even the game maker wasn't fooled into thinking all that tweeting was authentic.
When I asked De Masi whether the company had any plans to change the game, his response was that the problem was "not an issue" and "not on our radar as far something that has been a concern to millions of fans."
Clearly, the 2.8 billion minutes players have spent in the game is a testament to its appeal. However, how much of the game's growth is a result of real player endorsements versus a technological sleight of hand called the viral oops, is still an open question.
NOTE: Nir Eyal writes about the intersection of psychology, technology and business at NirAndFar.com. He is the author of Hooked: How to Build Habit-Forming Products. For more insights into how products change behavior, join his free newsletter and receive the first chapter of his book.

8/4/14

PrinceZZ

Princesses Unite!

My niece, then seven, decided to start a secret club, and whispered an invitation to me, her evil aunt.

“I’m starting a secret club”
“What?”
“I’m starting a secret club”
“What is it?”
“The princess club.”

So , naturally I had to research the ramifications of this since I believe my niece to be a natural born leader and frankly, I smelled money. I don’t know what the big secret was, except you know, "no boys," but I found there was some competition for the name, and there was probably trademark and copyright infringement, and yes, there was a book (by Catherine Marshall) I sent her said book, and she was royally pissed off. Imagine being seven, and already somebody stole your brilliant idea. Get used to it.

But, I kept up the idea, and started recruiting. For 19.95, you, too, can be a princess. You can pick your realm. I’ll send you a membership card and maybe, a cardboard crown and wand. Have your credit card ready.

Actually, older women were more intriqued.

"I want to be princess of Television."

My mom and my three year old niece duked it out for "Princess of Cookies."

I initially chose "Princess of the Pacific," but later decided on just the realm of "April Fools," of which I am one.

The princess club incorporates all fairies and pirates, and there is an unseen element which is how we gained so much territory in the past few years. And, of course, my niece is the CEO. I’m just the marketing director, and selling shares. I have a book, a movie, merchandising, seeking investment, partners, particularly with Disney who thinks they have cornered the market on princessdom, and then there’s Barbie, who shall always remain the queen. maybe I can start a bidding war between Disney and Mattel.

To hell with the Girl Scouts, this is Princess Inc. we have magic wands, fairies, and a movie script. Well, maybe not an entire movie script, but a treatment, and an evil aunt.

5/3/14

Schumer on Confidence

Read Amy Schumer’s Powerful Speech About Confidence

Gabourey Sidibe wasn't the only person giving an intense, inspirational speech last night at the Gloria Awards and Gala, hosted by the Ms. Foundation for Women. Amy Schumer gave one too, covering regrettable sexual encounters, crises of confidence, body-image issues, Sam Cooke, and being one's own fairy godmother. Here's her speech in full.
Here I go, and if it doesn't go well, please just don't blog about it.
Right before I left for college, I was running my high school. Feel it. I knew where to park, I knew where to get the best chicken-cutlet sandwich, I knew which custodians had pot. People knew me. They liked me. I was an athlete and a good friend. I felt pretty, I felt funny, I felt sane. Then I got to college in Maryland. My school was voted number one ... for the hottest freshman girls in Playboy that year. And not because of me. All of a sudden, being witty and charismatic didn't mean shit. Day after day, I could feel the confidence drain from my body. I was not what these guys wanted. They wanted thinner, blonder, dumber ... My sassy one-liners were only working on the cafeteria employees, who I was visiting all too frequently, tacking on not the Freshman 15, but the 30, in record-breaking time, which led my mother to make comments over winter break like, "You look healthy!" I was getting no male attention, and I'm embarrassed to say, it was killing me.
But one guy paid me some attention — Matt. Matt was six feet tall, he looked like a grown-up von Trapp child, and he was five years older than me. What?! An older boy, paying attention to me? I must be okay. Uff. I made him laugh in our bio lab, and I could tell a couple times that we had a vibe. He was a super senior, which is a sexy way of saying "should have graduated, but needed an extra year." He barely spoke, which was perfect for all the projecting I had planned for him. We grew up in the same town, and getting attention from him felt like success. When I would see him on campus, my heart would race, and I would smile as he passed. I'd look in the mirror and see all the blood rise to my face. I'd spend time analyzing the interaction, and planning my outfit for the next time I saw him. I wanted him to call. He never called. But then finally, he called.
It was 8 a.m., my dorm room phone rang. "Amy, wassup? It's Matt. Come over." Holy shit! This is it, I thought. He woke up thinking about me! He realized we're meant to start a life together! Let's just stop all this pretending that we weren't free just to love one another! I wondered, would we raise our kids in the town we both grew up in, or has he taken a liking to Baltimore? I don't care. I'll settle wherever he's most comfortable. Will he want to raise our kids Jewish? Who cares? I shaved my legs in the sink, I splashed some water under my armpits, and my randomly assigned Albanian roommate stared at me from under her sheets as I rushed around our shitty dorm room. I ran right over to his place, ready for our day together. What would we do? It's still early enough, maybe we're going fishing? Or maybe his mom's in town, and he wanted me to join them for breakfast. Knock-knock. Is he going to carry me over the threshold? I bet he's fixing his hair and telling his mom, "Be cool, this may be the one!" I'll be very sweet with her, but assert myself, so she doesn't think she's completely in charge of all the holiday dinners we're going to plan together. I'll call her by her first name, too, so she knows she can't mess with me. "Rita! I'm going to make the green bean casserole this year, and that's that!" Knock-knock. Ring ring. Where is he?
Finally, the door opens. It's Matt, but not really. He's there, but not really. His face is kind of distorted, and his eyes seem like he can't focus on me. He's actually trying to see me from the side, like a shark. "Hey!" he yells, too loud, and gives me a hug, too hard. He's fucking wasted. I'm not the first person he thought of that morning. I'm the last person he called that night. I wonder, how many girls didn't answer before he got to fat freshman me? Am I in his phone as Schumer? Probably. But I was here, and I wanted to be held and touched and felt desired, despite everything. I wanted to be with him. I imagined us on campus together, holding hands, proving, "Look! I am lovable! And this cool older guy likes me!" I can't be the troll doll I'm afraid I've become.
He put on some music, and we got in bed. As that sexy maneuver where the guy pushes you on the bed, you know, like, "I'm taking the wheel on this one. Now I'm going to blow your mind," which is almost never followed up with anything. He smelled like skunk microwaved with cheeseburgers, which I planned on finding and eating in the bathroom, as soon as he was asleep. We tried kissing. His 9 a.m. shadow was scratching my face — I knew it'd look like I had fruit-punch mouth for days after. His alcohol-swollen mouth, I felt like I was being tongued by someone who had just been given Novocain. I felt faceless, and nameless. I was just a warm body, and I was freezing cold. His fingers poked inside me like they had lost their keys in there. And then came the sex, and I use that word very loosely. His penis was so soft, it felt like one of those de-stress things that slips from your hand? So he was pushing aggressively into my thigh, and during this failed penetration, I looked around the room to try and distract myself or God willing, disassociate. What's on the wall? A Scarface poster, of course. Mandatory. Anything else? That's it? This Irish-Catholic son of bank teller who played JV soccer and did Mathletes feels the most connection with a Cuban refugee drug lord. The place looked like it was decorated by an overeager set designer who took the note "temporary and without substance" too far.
He started to go down on me. That's ambitious, I think. Is it still considered getting head if the guy falls asleep every three seconds and moves his tongue like an elderly person eating their last oatmeal? Chelsea? Is it? Yes? It is. I want to scream for myself, "Get out of here, Amy. You are beautiful, you are smart, and worth more than this. This is not where you stay." I feel like Fantine and Cosette and every fucking sad French woman from Les Miz. And whoever that cat was who sang "Memories," what was that musical? Suze Orman just goes, "Cats." The only wetness between my legs is from his drool, because he's now sleeping and snoring into me. I sigh, I hear my own heartbreak, I fight back my own tears, and then I notice a change in the music. Is this just a bagpipe solo? I shake him awake. "Matt, what is this? The Braveheart soundtrack? Can you put something else on, please?" He wakes up grumpily, falls to the floor, and crawls. I look at his exposed butt crack, a dark, unkempt abyss that I was falling into. I felt paralyzed. His asshole is a canyon, and this was my 127 Hours. I might chew my arm off.
I could feel I was losing myself to this girl in this bed. He stood up and put a new CD on. "Darling, you send me, I know you send me, honest, you do ..." I'm thinking, "What is this?" He crawled back into bed, and tried to mash at this point his third ball into my vagina. On his fourth thrust, he gave up and fell asleep on my breast. His head was heavy and his breath was so sour, I had to turn my head so my eyes didn't water. But they were watering anyway, because of this song. Who is this? This is so beautiful. I've never heard these songs before. They're gutting me. The score attached to our morning couldn't have been more off. His sloppy, tentative lovemaking was certainly not in the spirit of William Wallace. And now the most beautiful love songs I've ever heard play out as this man-boy laid in my arms, after diminishing me to a last-minute booty call. I listened to the songs and I cried. I was looking down at myself from the ceiling fan. What happened to this girl? How did she get here? I felt the fan on my skin and I went, "Oh, wait! I am this girl! We got to get me out of here!" I became my own fairy godmother. I waited until the last perfect note floated out, and escaped from under him and out the door. I never heard from Matt again, but felt only grateful for being introduced to my new self, a girl who got her value from within her. I'm also grateful to Matt for introducing me to my love Sam Cooke, who I'm still with today.
Now I feel strong and beautiful. I walk proudly down the streets of Manhattan. The people I love, love me. I make the funniest people in the country laugh, and they are my friends. I am a great friend and an even better sister. I have fought my way through harsh criticism and death threats for speaking my mind. I am alive, like the strong women in this room before me. I am a hot-blooded fighter and I am fearless. But I did morning radio last week, and a DJ asked, "Have you gained weight? You seem chunkier to me. You should strike while the iron is hot, Amy." And it's all gone. In an instant, it's all stripped away. I wrote an article for Men's Health and was so proud, until I saw instead of using my photo, they used one of a 16-year-old model wearing a clown nose, to show that she's hilarious. But those are my words. What about who I am, and what I have to say? I can be reduced to that lost college freshman so quickly sometimes, I want to quit. Not performing, but being a woman altogether. I want to throw my hands in the air, after reading a mean Twitter comment, and say, "All right! You got it. You figured me out. I'm not pretty. I'm not thin. I do not deserve to use my voice. I'll start wearing a burqa and start waiting tables at a pancake house. All my self-worth is based on what you can see." But then I think, Fuck that. I am not laying in that freshman year bed anymore ever again. I am a woman with thoughts and questions and shit to say. I say if I'm beautiful. I say if I'm strong. You will not determine my story — I will. I will speak and share and fuck and love and I will never apologize to the frightened millions who resent that they never had it in them to do it. I stand here and I am amazing, for you. Not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you, and I thank you.

10/18/13

Screenwriter Sales Metrics

The Scoggins Report: October 2013 Pitch Market Scorecard

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The Scoggins Report
by Jason Scoggins & Landon Rohwedder
October 14, 2013 
October 2013
Pitch Market Scorecard
A couple of weeks ago in the September Pitch Roundup, we noted there had been three  months in a row of as-good-or-better year-over-year pitch sales numbers. Make that “four months in a row” — October’s only half over, but it’s already tied with last year (in addition to the 4 noted in the grid below, we captured two additional pitch sales after today’s cutoff).
If the rest of October is as strong and November follows suit we’ll still have a chance of matching last year’s numbers (which were admittedly pretty weak compared to 2011’s). The biggest targets of opportunity are unchanged from those we’ve noted over the past couple of months:
  • Disney, which picked up its second pitch of the year recently but is nowhere near the 9 it purchased in each of the last two years;
  • Sony, which bought its third pitch last month but must have a few development dollars stashed away since it hasn’t purchased a single spec script all year; and
  • Paramount, for almost the exact same reason (it’s bought 3 pitches and 1 spec so far this year, compared to a combined 20 and 17 projects in 2012 and 2011, respectively).
As always, year-over-year numbers to your heart’s content are below. Enjoy.
Overall Pitch Numbers

Here are basic pitch sales numbers through October 14 on their own, with year-over-year monthly comparisons…

Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Total
 2013
3
10
8
10
6
5
8
4
5
4


63
 2012
8
7
8
14
4
7
8
3
4
6
3
9
81
 2011
4
8
13
7
8
15
10
4
5
10
8
14
106
…and here are combined spec and pitch sales numbers through October 14, with year over year monthly comparisons.


Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Total
2012
2011
 Specs
8
8
10
15
9
10
11
6
9
5


91
132
132
 Pitches
3
10
8
10
6
5
8
4
5
4


63
81
106
 Totals
11
18
18
25
15
15
19
10
14
9


154
213
238
 2012 Total
20
20
22
26
16
22
13
16
13
19
10
15



 2011 Total
7
21
28
16
15
28
20
9
12
30
16
24



Pitch Sales By Genre

Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Total
%
 Action/Adventure
1
4
1
4
2
2
2
2




18
32%
 Comedy
1
2
4
1

1
1
2
3


15
26%
 Drama
1
4
2
1

1






9
16%
 Fantasy



1







1
2%
 Horror





1





1
2%
 Sci-fi
1

1
1

2
4
1
2



12
21%
 Thriller
1
2

2



1
1


7
12%

Pitch Sales By Month – Studios

Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
2013
2012
2011
 Columbia

1



1

1



3
7
9
 Disney


1








1
9
9
 DreamWorks
3

1




1



5
1
2
 DreamWorks Animation








1


1
0
0
 Fox
1
2
2

1

1




7
6
8
 Fox 2000


1








1
0
2
 Fox Searchlight
1





1




2
1
0
 Lionsgate*


1



1

1


3
1
2
 MGM







1



1
1
0
 New Line
2

1


2





5
5
4
 Nickelodeon





1





1
0
0
 Paramount


1




1
1


3
9
12
 Relativity





1





1
0
0
 Universal
1
1
3
2
2




1


10
11
12
 Warner Bros.
1


1
2

1




5
11
13
Totals:  Studios
1
9
6
10
3
3
5
4
4
4


49
62
73
         * 2011 and 2012 numbers for Lionsgate and Summit are combined.

Pitch Purchases by Genre – Studios

9/24/13

Selling the Movie Biz


Part 1: General Overview
You have an idea for a short film. Or, you may be currently stalled on the story in progress for a short film that should be underway. This class will cover the soup to nuts overview of the questions you need to ask yourself as a filmmaker to ensure the idea for your short film is worthwhile, and the essential steps you need to take to move into the planning and production phase of your short film. For more information on Part 1 click here.
Part 2: Screenwriting
The screenwriter is the specific person responsible for putting the words to the page that will tell the story. However, all of the lead creative roles on the short film – including the director and producer – are essential to the storytelling process. For more information on Part 2 click here.
Part 3: Producing
The vast majority of short films are independent productions, with many of the key creative team members holding more than one designated role on the project. If you’re a writer with sound organizational skills – you should seek out the opportunity to learn and lead and be one of the producers on the film as well. If you’re a lead actor or director whose name and reputation are riding on the film – you should definitely be involved in a key producing capacity on the film. If you’re strictly a well-organized, go-getter of a producer looking to deliver an amazing short film – partnering with talented writers, actors and directors is the key way to landing future positions and projects. For more information on Part 3 click here.
Part 4: Directing
This class will give guidance not only to those interested in directing their own short films, but also to writers, producers, actors, directors of photography and camera crew on how to effectively work with a film’s director in a collaborative effort by gaining a better understanding for the role the director plays; and how to be selective about the projects they work on depending on the director’s attitude, openness to total team involvement and commitment to completing a high-quality film in a set period of time. For more information on Part 4 click here.

About the Instructor: 
Kathy Cabrera is a graduate of the UCLA School of Theater, Film & Television’s MFA in Screenwriting program. In addition to penning eight feature-length screenplays and a drama television pilot, Cabrera has also written and produced several award-winning short films with budgets ranging from less than $2,000 to hundreds of thousands of dollars with the support of well-known industry sponsors such as the Director’s Guild of America (DGA), Kodak, Technicolor and Panavision. Cabrera has one screenplay optioned and was a finalist for the 2007 NAACP & NBC Screenwriting Fellowship and awarded the 2008 Young and the Restless Fellowship in Television. Cabrera currently resides in Atlanta, where she makes short films for a living with Red Clip Video, a production company specializing in affordable videos for businesses.

Speaka da Irish?

What is the Greatest Irish invention ever? Every literate person in the western world and beyond uses it every day! In fact you are using this invention to read this piece now? What is it? It is the space between words! That's right, ancient texts were written without spaces. However, Ireland was never part of the Roman empire and the Latin language was foreign. Accordingly when Latin texts arrived with Christianity, words needed to be separated to allow for their translation into Irish and empower the native speakers to learn the Latin language. Scriptio continua (continuous text) as it is known was written as an aide-memoire therefore the writers did not need word separators as these writings contained information that was already known to them.

The earliest Greek inscriptions used interpuncts (dots between words) which was common in the writing systems that preceded it. The practice waned however and scriptio continua became common place.

References

"It was the Irish that invented spaces between words" - Melvyn Bragg BBC Radio Documentary introducing Professor of the history of the book at Durham University Richard Gameson. - "In Our Time - The Written World - Episode 2". The quotation above starts at 4:46
http://www.bbc.co.uk/iplayer/episode/b018wy46/In_Our_Time_The_Written_World_Episode_2/
www.bbc.co.uk

9/23/13

Money streams unto me from everywhere - see I even rewrite spells!


This spell will attract a steady stream of money into your life. You will need a green candle, dark chocolate pieces (must be dark chocolate for wealth spells, milk chocolate is for nurturing and friendship), a cinnamon stick, a clove, milk, a cauldron (or pot) and a wooden spoon. Place the candle near your stove and light it. Put the milk, dark chocolate pieces, cinnamon stick and the clove into the pot and heat it on a low heat. Stir it gently, look into the pot and chant as you stir: 
 
 
“Money stream continuously into my life, from all sources, and all thrives. Wealth accumulate, my fortune create. This is my will so shall it be. Harm to none, nor return on me.” 
 
 
While you are doing this visualize a steady stream of money flowing to you. When the chocolate has all melted, pour the liquid into a green, brown, gold or white cup and then sit back, relax and enjoy drinking your hot chocolate! I love this spell.

8/3/13

Begin middle End

William Penn recommends an end to your speech

The two most important parts of our speech are the start and finish. But most of us spend a lot more time concentrating on how to kick-off our speech rather than how to end it.
That’s a mistake because the end of our speech is a chance to give audience members something to walk away with.
One of the people who offered insight about how to properly end a speech is the great William Penn, a man who gave innumerable speeches during his lifetime. If you’re like most Americans, William Penn is probably a name you remember from school but would be hard-pressed to explain the role he played in our nation’s history.
For the record, Penn was a real estate entrepreneur, philosopher, early Quaker and founder of the province of Pennsylvania, which became the U.S. state of Pennsylvania. The democratic principles that he set forth served as an inspiration for the U.S. Constitution.
Here’s what William Penn had to say about ending a speech: “Speak properly, and in as few words as you can, but always plainly, for the end of a speech is not ostentation but to be understood.”
In other words, don’t try to be showy or flowery. Don’t get abstract or overly metaphorical. Instead, focus on directness and clarity. People respond far better to directness and clarity at this stage of a presentation. Get too flowery or metaphorical and our message is likely to be misinterpreted or watered down.
So we should carefully consider our parting message. What’s appropriate? We might want to:
  • Reiterate our key message
  • Echo something we said at the start of the speech, so we bring audience members full circle and give them a sense of completeness
  • Present a call to action, if we’re asking or expecting audience members to act on what we have said
  • Contribute money to a cause
  • Change their behavior
In any case, William Penn’s advice is sound — to articulate our closing thoughts with directness and unmistakable clarity.
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7/21/13

Office World or "My Cubicle"


How The Office was invented

Many people might think of office-bound life as a modern phenomenon, but there's a long history of people chained to their desks, explains Lucy Kellaway.
In medieval London the old St Paul's Cathedral used to dwarf everything around it. Now it is dwarfed - by offices. 

The Shard, Canary Wharf, NatWest Tower - offices dominate the skyline.

I imagine archaeologists in the future having a pretty easy time working out what matters to us today. The Egyptians had their pyramids, the Romans had aqueducts, Victorians their railways. What we've got are gigantic glass and steel boxes of desks, whiteboards and water coolers.

The office is where we spend most of our time. It's practically where we live. Our colleagues and our bosses see more of us than our families do.
Everyone loves telling me that this is a bad thing - as the saying goes, "No-one ever said on their deathbed 'I wish I'd spent more time in the office'." But actually it's not quite true.

At least one man - PT Barnum, who gave us the circus - was wishing himself back in the office as he took his last gasp. "How were receipts today at Madison Square gardens?" he said as he croaked.

And, as for the rest of us, office work gives our life structure, purpose and, at a pinch, meaning.

But walk into any office and you can't help but wonder what are they actually doing?
You can tell if a teacher is teaching or a builder building, but with us office workers, the dreams, the ambition, the lust and the extreme boredom is all hidden.

Over the past two centuries, the office has changed everything.

It has made us all middle class. It has transformed a lot of women, who have skipped from kitchen to boardroom, pausing at the typing pool on the way. It has also raised standards in education and been the reason for many technological advances.
But the office itself seems to have no history. We all just seem to accept the way we work now. There's the charade of the annual appraisal. All those grim PowerPoint presentations in interminable meetings. The open plan offices where we overhear colleagues phoning their plumbers. But why? How did we get here?

It seems to me that the office today is having a bit of an identity crisis. It's not clear that we even need physical offices anymore when we can work in Starbucks instead.
Everyone says work has taken over their lives, leaving them stressed and good for nothing else. But it's impossible to assess just how bad things are now without having a picture of how they used to be.

In the British Library, which has become something of a modern office with the free wi-fi, coffee and comfy chairs, hangs a portrait of a man who is looking quite enigmatically at the readers coming in. This is Charles Lamb, who wrote one of the best accounts of what it was actually like to be a clerk at the end of the 18th Century. A lot of it sounds rather familiar.

"Thirty years have I served the Philistines, and my neck is not subdued to the yoke. You don't know how wearisome it is to breathe the air of four pent walls without relief day after day."

But what is an office? The best way to think about it is that it's wherever the admin gets done. That means a skyscraper counts, and so - at a pinch - does a Blackberry.

On that definition, coffee shops are included and so, too, people's homes - and it was in these two places in the City of London in the 18th Century that most office work was done.

Owners tended to live above the shop, employing clerks who lived there too and who were treated a bit like domestic servants. The advantage was that there was no commute, the disadvantage was that there was no escape.

The Barings lived and worked in Mincing Lane, and later the Rothschilds lived round the corner in St Swithin's Lane. But just up the road in Leadenhall Street, one of London's first purpose-built offices had its home. Built in 1729, it housed the East India Company.

"The East India Company is hugely significant for the history of offices because it created over time a very large and complex bureaucracy," says Huw Bowen of Swansea University.

"It began its life in 1600 as a trading company managing long distance trade with Asia. That, of course, generated huge volumes of documents. But over time in the mid 18th Century it acquired an empire in India.

"At the company's headquarters they created the bureaucracy to process information and make decisions about things that were taking place thousands of miles away."

It was to East India House that a 17-year-old Charles Lamb went to work in 1792.
Managing an empire at such a great distance created a lot of paperwork and it didn't arrive in your inbox in under a second - mail from India took five to eight months to get there.
But when the boat got in, they were very busy indeed. Lamb wrote:

"On Friday I was at office from 10 in the morning (two hours dinner except) to 11 at night - last night till 9." There was much about Lamb's working life that sounds incredibly familiar. Like the way his employers granted perks one minute, only to take them away again as soon as times got hard.

In 1817, the holiday allowance of £10 a year was cut for new members of staff, Saturday became a full working day and the equivalent of the Christmas office party, the "yearly turtle feast", was scrapped.

Lamb wrote to a colleague John Chambers, who was off work with scurvy, complaining about some of the changes.

"The Committee have formally abolish'd all holydays whatsoever - for which may the Devil, who keeps no holydays, have them in his eternal burning workshop."
In an even more petty policy change, Lamb and his colleagues were made to sign in and out, and every quarter of an hour had to ensure they were in the office.

"This annoyed Dodwell, a fellow-clerk, considerably, for he had to sign six or seven times while reading the newspaper," he added.

"Lamb talks fondly of his colleagues," says Bowen. "It was quite clear that practical jokes took place. There was a social life. A very rich atmosphere in some ways."
But while intellectuals thrived at East India House, others found it very depressing indeed. There are examples of people killing themselves - one worker, Richard Burford, threw himself out of a window in the 1790s.There is also a lot of evidence of what we would call work-related stress. In those days it was described as being insane.

"[There was the] creative side like Lamb, and these other people who were clerical drones," says Bowen.

"These men must have had a terrible existence. Going in to work day in day out for 40 years, copying out letters and accounts with no prospect of promotion unless somebody ahead of them died."

At the age of 50, Lamb retired on a final salary pension of two thirds of his salary. The transition from work to retirement was a tricky one.

"For the first day or two I felt stunned. I wandered about, thinking I was happy, and knowing that I was not," he wrote.

"I was in the condition of a prisoner in the old Bastile, suddenly let loose after a forty years' confinement."

He later visited his former office and details an experience familiar to anyone who has made the mistake of returning to a place they once worked.
"We cracked some of our old jokes, but methought they went off but faintly. My old desk, the peg where I hung my hat, were appropriated to another. I knew it must be, but I could not take it kindly."

This, surely, is the eternal plight of all of us office workers. We long to escape. But such is its hold on us, that when we do, we leave a part of ourselves behind - a part we never even knew existed.

7/15/13

pixar

This Theory On Pixar Movies Will Blow Your Mind

Jon Negroni recently developed “The Pixar Theory,” and it will make your jaw drop.

Jon Negroni claims that the last 14 Pixar movies all exist in the same universe.

Jon Negroni claims that the last 14 Pixar movies all exist in the same universe.
His theory was inspired by this video.

The timeline begins with Brave, set in the Dark Ages. It explains why animals can have human characteristics.

The timeline begins with Brave , set in the Dark Ages. It explains why animals can have human characteristics.
In the movie, Merida discovers magic and accidentally turns her mother into a bear. Other inanimate objects come to life, too.

Magic is provided by a witch, who mysteriously vanishes every time she goes through a door.

Magic is provided by a witch, who mysteriously vanishes every time she goes through a door.

The animals affected by the witch interbreed, which explains why they can talk in other Pixar movies.

This Theory On Pixar Movies Will Blow Your Mind
As a result, animals become smarter and gain more humanistic qualities.

Up’s Charles Muntz creates technology to harness the animals’ power.

Up 's Charles Muntz creates technology to harness the animals' power.
But Dug, the dog, foils his plan, and the relationship between humans and animals worsens.
Source: emotibot.net  /  via: Walt Disney Studios

The animals’ intelligence grows, which is proved in Finding Nemo.

The animals' intelligence grows, which is proved in Finding Nemo .

Resulting in an industrial revolution that begins in Up, run by the corporation Buy-N-Large (BNL).

Resulting in an industrial revolution that begins in Up , run by the corporation Buy-N-Large (BNL).

BNL is also the reason that humans in Wall-E flee to space, proving that technology gains power over humans.

BNL is also the reason that humans in Wall-E flee to space, proving that technology gains power over humans.
Buy-N-Large is also evident in the Toy Story series, too.
Source: stocklogos.com  /  via: Walt Disney Studios

The Incredibles’ Syndrome uses this technology in attempts to create a genocide.

The Incredibles ' Syndrome uses this technology in attempts to create a genocide.
“Syndrome creates the ‘killbot’ that learns the moves of every super-human.” But this killbot turns on him, suggesting that machines and inanimate objects are trying to get rid of their biggest threat, aka humans.
This also affects the plot of Toy Story 3.

Technology’s rise and the industrial revolution leads to pollution.

Technology's rise and the industrial revolution leads to pollution.
There are NO animals in the Cars series.
Source: amumag.com  /  via: Walt Disney Studios

Which makes Earth unfit for humans.

Which makes Earth unfit for humans.
Source: chud.com  /  via: Walt Disney Studios

Humans become dependent on the machines.

Humans become dependent on the machines.

But in the end credits of Wall-E, life returns to Earth, resulting in A Bug’s Life.

But in the end credits of Wall-E , life returns to Earth, resulting in A Bug's Life .
Source: blu-ray.com  /  via: Walt Disney Studios

In the meantime, a new super species is born.

In the meantime, a new super species is born.
“The monsters’ civilization is actually Earth in the incredibly distant future… It’s possible that the monsters are simply the personified animals mutated after the diseased earth was radiated for 800 years.”
Source: dvdbeaver.com  /  via: Walt Disney Studios

The monsters have an energy crisis, which is supplied by the humans… by way of time travel.

The monsters have an energy crisis, which is supplied by the humans... by way of time travel.
Each door is a time machine, and it’s the only way they come into contact with humans. That’s also how the monsters harvest energy.

But what happened to Boo? She now knows of a future world.

But what happened to Boo? She now knows of a future world.
“She became obsessed with finding out what happened to Sully.”

“She remembers that doors are the key to how she found Sully in the first place and becomes…”

"She remembers that doors are the key to how she found Sully in the first place and becomes..."

THE WITCH FROM BRAVE.

THE WITCH FROM BRAVE .
She uses the will-of-the-wisps for time travel, which explains why she’s now in the Dark Ages. In other words, she magically creates these doors to find Sully.

And we know this because of the carving of Sully on her wood.

And we know this because of the carving of Sully on her wood.
And plenty of other reasons, as explained here.

There’s no doubt that this timeline will continue in Pixar’s newest installment in 2014.

There's no doubt that this timeline will continue in Pixar's newest installment in 2014.
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  • ebunny91 5 hours ago
    Also, Charles Muntz from Up wasn’t trying to harness the power of animals, he was trying to find a rare bird and gain recognition among his colleagues… again, what?


  • ebunny91   This Theory On Pixar Movies Will Blow... and thinks it’s Fail  about 5 hours ago
  • ebunny91 5 hours ago
    I like the parallels drawn between reappearing characters and motifs, but I almost had to stop reading after “The animals’ intelligence grows […] resulting in an industrial revolution “…. like, what?


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  • Dorkamorka 23 hours ago
    If you ever want to have your brain melt by crap like this, look into the Tommy Westphall Multiverse.



  • Andru V. a day ago
    This kind of logic is responsible for the existence of every conspiracy theory ever; neat idea, nonetheless.


  • ImALoserBaby 2 days ago
    Someone had a little too much ganja


  • A.M.Disher 2 days ago
    I think the connections such as the woodcarving in Brave are the artists messing with the viewers- i always just get a kind of excitement in the discovery of them - not really convinced about more than that this just coming from a self proclaimed artist/creative


  • Shannonveggie 2 days ago
    Omg who thought of this! That person is a genius.


  • lamewoskic 2 days ago
    Awesome. Thank you. What a great concept!


  • onthebuzz 2 days ago
    Correction! The first Cars movie does in fact have animals in it. They have no impact on the plot though and get a millisecond of screen time. These are the two birds from one of Pixar’s old pre-movie shorts (the one before Monsters Inc. with the egg-snapped squeaky birds on the telephone wire). You see and hear them briefly in a scene where the camera trucks along the telephone wires from a car’s point of view. This may be an easter egg, but it proves animals exist in the world of Cars.


  • oswaldom 2 days ago
    OMG MY BRAIN HURTS.


  • katelinp 2 days ago
    My brain hurts. Someone over thought this….


  • princerepeller 2 days ago

    http://www.buzzfeed.com/princerepeller/if-disne... [link]
    If Disney Princesses had their own fashion blog! This is great! Finally a great series of Modern Disney Princesses that makes sense and is true to their character. http://www.buzzfeed.com/princerepeller/if-disney-princesses-had-their-own-fashion-blog-c97s



  • darby 2 days ago
    Doesn’t the Pizza Planet car from Toy Story also make a cameo in most Pixar movies? That seems like a reeal easy one that’s been left out.

  • kat4283 2 days ago
    If the pollution rampant on Earth during Wall-E was the cause for the earth being overrun by cars, the Earth would not have looked nearly as squeaky clean in Cars. There would have been trash everywhere. This is terribly flimsy. Nope nope nope.

  • Wayyyy too much time on his hands.


  • donvarone 2 days ago
    the reason sully is carved is cause every pixar movie has a hint of the next movie they are developing


  • Calliope 2 days ago
    Uhhhhhhhhhhhhh mind=blown ouch


  • malikherue 3 days ago
    nice… if it was two movies, it might be coincidental.. if it was four movies, it would be weird.., but ALL of these movies IN ORDER.. that’s a pattern. and truth is in the pattern..